1 00:01:04,412 --> 00:01:06,414 HELLO. 2 00:01:11,158 --> 00:01:14,465 CAN I HELP YOU? 3 00:01:14,509 --> 00:01:15,553 IS THIS YOURS? 4 00:01:15,597 --> 00:01:17,077 IT SURE IS. 5 00:01:17,120 --> 00:01:18,469 THAT'S NICE. 6 00:01:18,513 --> 00:01:19,688 YOU LIKE, HUH? 7 00:01:19,731 --> 00:01:22,125 IT REMINDS ME OF MY HOME. 8 00:01:22,169 --> 00:01:24,345 HOW MUCH DO YOU WANT FOR IT? 9 00:01:24,388 --> 00:01:25,737 WELL, IT WAS 50, 10 00:01:25,781 --> 00:01:27,565 BUT YOU CAN HAVE IT FOR 40 11 00:01:27,609 --> 00:01:29,306 WITH THE FRAME. 12 00:01:29,350 --> 00:01:32,135 - OKAY, WILL YOU DELIVER? - SURE. 13 00:01:32,179 --> 00:01:33,310 CAN I PAY YOU THEN? 14 00:01:33,354 --> 00:01:35,138 - OKAY. - OKAY. 15 00:01:35,182 --> 00:01:36,574 MY NAME IS JULIE WINSTON. 16 00:01:36,618 --> 00:01:38,750 JULIE WINSTON. 17 00:01:38,794 --> 00:01:42,493 AND I LIVE AT 1043 WEST FOURTH. 18 00:01:42,537 --> 00:01:44,582 LET'S SEE WHAT ELSE I CAN SPEND MY MONEY ON. 19 00:01:44,626 --> 00:01:46,671 UH-HUH. 20 00:02:09,912 --> 00:02:11,653 GET THAT CAR OUT OF THERE. 21 00:02:32,848 --> 00:02:34,632 HEY, THAT IS GREAT STUFF. 22 00:02:34,676 --> 00:02:36,678 SELL MUCH? 23 00:02:36,721 --> 00:02:38,854 ENOUGH TO KEEP ME AROUND. 24 00:02:38,897 --> 00:02:40,812 YOU JUST SOLD A YOUNG LADY. 25 00:02:40,856 --> 00:02:43,206 NOW, I WOULDN'T MIND KNOWING SOMETHING ABOUT HER 26 00:02:43,250 --> 00:02:45,687 IF YOU CAN HELP ME OUT. 27 00:02:45,730 --> 00:02:47,471 YOU A FRIEND OF HERS? 28 00:02:47,515 --> 00:02:52,346 YEAH. HE A FRIEND OF YOURS? 29 00:02:52,389 --> 00:02:54,609 - HE GOT A BROTHER? - HE'S GOT A BROTHER. 30 00:02:54,652 --> 00:02:56,828 -HE'S GOT A BROTHER. - FANTASTIC. 31 00:02:56,872 --> 00:02:58,439 HEY, STAVROS, DO ME A FAVOR? 32 00:02:58,482 --> 00:02:59,962 THE NEXT TIME YOU MAKE A REPORT OUT FOR ME, 33 00:03:00,005 --> 00:03:01,311 AT LEAST SPELL MY NAME RIGHT. 34 00:03:01,355 --> 00:03:03,270 IT'S CROCKER, ER. ER. 35 00:03:03,313 --> 00:03:05,315 E-R, NOT A-R. 36 00:03:05,359 --> 00:03:07,404 THE Es ON THE TYPEWRITER DON'T WORK. 37 00:03:07,448 --> 00:03:09,667 THE WHOLE REPORT'S LIKE THIS. 38 00:03:09,711 --> 00:03:11,365 SO WHAT? WHO'S GONNA READ IT ANYWAY? 39 00:03:11,408 --> 00:03:13,193 AH. 40 00:03:13,236 --> 00:03:15,282 - HI, CAN I HELP? - HI. 41 00:03:15,325 --> 00:03:16,674 PLEASE. 42 00:03:16,718 --> 00:03:18,807 SURE. SIT DOWN. 43 00:03:22,550 --> 00:03:23,899 NOW, WHAT'S THE TROUBLE? 44 00:03:23,942 --> 00:03:27,337 THERE'S THIS MAN WHO'S SUPPOSED TO BE DEAD, 45 00:03:27,381 --> 00:03:29,905 BUT HE'S GONNA KILL ME. 46 00:03:29,948 --> 00:03:31,820 WHY IS HE GONNA KILL YOU? 47 00:03:31,863 --> 00:03:33,517 BECAUSE I KNOW HE'S ALIVE. 48 00:03:33,561 --> 00:03:35,867 YOU HAVEN'T BEEN DRINKING, HAVE YOU? 49 00:03:35,911 --> 00:03:37,869 MAYBE SMOKING A LITTLE DOPE? 50 00:03:37,913 --> 00:03:39,871 WILL YOU LISTEN TO ME? 51 00:03:39,915 --> 00:03:42,222 I AM NOT CRAZY. 52 00:03:42,265 --> 00:03:44,311 HE IS AFTER ME. 53 00:03:44,354 --> 00:03:45,747 WHO IS? 54 00:03:45,790 --> 00:03:47,792 THIS MAN WHO DIED A YEAR AGO. 55 00:03:47,836 --> 00:03:49,490 WOULD YOU LIKE A CUP OF COFFEE OR SOMETHING? 56 00:03:49,533 --> 00:03:51,666 PLEASE DON'T PATRONIZE ME. 57 00:03:51,709 --> 00:03:53,363 I KNOW WHAT I'M TALKING ABOUT. 58 00:03:53,407 --> 00:03:55,365 IF HE FINDS ME, HE WILL KILL ME. 59 00:03:55,409 --> 00:03:57,976 CROCKER. 60 00:03:58,020 --> 00:03:59,935 WHY DON'T WE GO IN HERE? IT'S A LITTLE MORE PRIVATE. 61 00:04:02,590 --> 00:04:04,461 COME IN. 62 00:04:04,505 --> 00:04:06,594 WHY DON'T YOU SIT DOWN? 63 00:04:09,858 --> 00:04:12,774 WELL, I'M LIEUTENANT KOJAK. 64 00:04:12,817 --> 00:04:13,731 WHY DON'T YOU TELL ME ABOUT IT? 65 00:04:13,775 --> 00:04:16,952 SO YOU CAN LAUGH TOO? 66 00:04:16,995 --> 00:04:18,867 I WON'T LAUGH AT YOUR NAME. 67 00:04:18,910 --> 00:04:21,043 MY NAME'S JULIE WINSTON. 68 00:04:21,086 --> 00:04:24,916 I LIVE AT 1043 WEST FOURTH. 69 00:04:24,960 --> 00:04:27,832 FRANK KELTON WAS MY NEIGHBOR IN OHIO. 70 00:04:27,876 --> 00:04:29,747 HE WAS KILLED ABOUT A YEAR AGO. 71 00:04:29,791 --> 00:04:30,835 IT WAS ALL OVER THE PAPERS. 72 00:04:30,879 --> 00:04:34,709 THEY CALLED IT A GANGLAND THING. 73 00:04:34,752 --> 00:04:36,580 I SAW HIM TODAY. 74 00:04:36,624 --> 00:04:38,452 HE TRIED TO FOLLOW ME. 75 00:04:38,495 --> 00:04:40,497 ARE YOU SURE IT WAS THE SAME MAN, JULIE? 76 00:04:40,541 --> 00:04:42,978 I TOLD YOU HE LIVED IN THE HOUSE NEXT DOOR WITH HIS SISTER. 77 00:04:43,021 --> 00:04:45,763 I SAW HIM ALMOST EVERY DAY FOR MONTHS. 78 00:04:45,807 --> 00:04:47,896 THEY WERE TERRIBLE PEOPLE. 79 00:04:47,939 --> 00:04:49,680 LOOK, JULIE, HAVEN'T YOU EVER STOPPED SOMEONE 80 00:04:49,724 --> 00:04:52,553 YOU THINK YOU KNOW AND THEN YOU'RE EMBARRASSED TO FIND 81 00:04:52,596 --> 00:04:54,772 THAT IT'S JUST A LOOK-ALIKE? 82 00:04:54,816 --> 00:04:56,948 THIS LOOK-ALIKE RAN AFTER ME. 83 00:04:56,992 --> 00:04:58,733 IT WAS NOT MY IMAGINATION. 84 00:04:58,776 --> 00:05:02,345 YEAH, WELL, NEW YORK, 85 00:05:02,389 --> 00:05:04,956 IT ISN'T THE EASIEST PLACE IN THE WORLD TO MAKE IT IN. 86 00:05:05,000 --> 00:05:07,568 PEOPLE ARE CONSTANTLY UNDER PRESSURE. 87 00:05:07,611 --> 00:05:11,485 THEY LET THEIR MINDS WANDER SOMETIMES AND LIKE THAT. 88 00:05:11,528 --> 00:05:12,616 I'M NOT NUTS. 89 00:05:12,660 --> 00:05:15,315 I'M SCARED, AND I WANT PROTECTION. 90 00:05:15,358 --> 00:05:16,968 WELL, 91 00:05:17,012 --> 00:05:21,669 ACCORDING TO THE OHIO POLICE, FRANK KELTON'S DEAD. 92 00:05:21,712 --> 00:05:24,106 OKAY, OKAY, TAKE IT EASY. 93 00:05:24,149 --> 00:05:27,631 SIT DOWN. 94 00:05:27,675 --> 00:05:29,372 ARE YOU GONNA DO ANYTHING? 95 00:05:29,416 --> 00:05:31,331 WELL, MAYBE YOU OUGHT TO TALK IT OUT WITH SOMEONE. 96 00:05:31,374 --> 00:05:32,375 A SHRINK? 97 00:05:32,419 --> 00:05:34,029 WELL, I'M TRYING TO BE HELPFUL. 98 00:05:34,072 --> 00:05:35,596 YOU'RE NOT GONNA DO ANYTHING, ARE YOU? 99 00:05:35,639 --> 00:05:38,120 NOT GONNA DO ANYTHING, THERE'S NOTHING TO DO. 100 00:05:58,923 --> 00:06:00,882 TAXI. 101 00:06:13,024 --> 00:06:17,725 TAXI. TAXI. 102 00:06:21,555 --> 00:06:23,818 YOU'LL NEVER GET A CAB HERE THIS TIME OF NIGHT. 103 00:06:23,861 --> 00:06:26,124 THEY DON'T LIKE TO COME DOWN HERE ANY MORE THAN I DO. 104 00:06:26,168 --> 00:06:28,953 COME ON, YOU BOUGHT YOURSELF A RIDE HOME. 105 00:06:37,614 --> 00:06:39,660 ♪ THOUGH YOU'VE GONE AWAY 106 00:06:39,703 --> 00:06:42,706 HI, KEL. 107 00:06:42,750 --> 00:06:43,925 WHY'D YOU PICK THIS PLACE? 108 00:06:43,968 --> 00:06:46,057 SEE THESE BROADS? 109 00:06:46,101 --> 00:06:48,625 THEY KIND OF HAVE THESE BUILT-IN ANTENNAS. 110 00:06:48,669 --> 00:06:51,149 THEY CAN SPOT A COP WHO ISN'T EVEN HERE YET. 111 00:06:51,193 --> 00:06:54,414 THEY MOVE OUT, WE MOVE OUT. 112 00:06:54,457 --> 00:06:56,894 IT'S KIND OF LIKE BEING LIVE BAIT. 113 00:06:56,938 --> 00:06:58,461 I ALREADY WAS BAIT TODAY. 114 00:06:58,505 --> 00:07:01,725 - ONCE IS ENOUGH. - WHAT ARE YOU TALKING ABOUT? 115 00:07:01,769 --> 00:07:04,162 I THINK I WAS SPOTTED. SOMEBODY WHO USED TO KNOW ME. 116 00:07:04,206 --> 00:07:05,163 ARE YOU SURE? 117 00:07:05,207 --> 00:07:07,557 SHE RAN. 118 00:07:07,601 --> 00:07:10,081 SO THAT MEANS A DELAY. 119 00:07:10,125 --> 00:07:13,694 WELL, HOW LONG? 120 00:07:13,737 --> 00:07:15,522 TILL I TAKE CARE OF IT. 121 00:07:15,565 --> 00:07:16,740 CAN SHE MAKE THAT MUCH DIFFERENCE? 122 00:07:16,784 --> 00:07:18,089 MAKE A DIFFERENCE? 123 00:07:18,133 --> 00:07:21,136 SHE CAN BRING ME BACK TO LIFE, 124 00:07:21,179 --> 00:07:23,660 AND I LIKE BEING DEAD. 125 00:07:28,970 --> 00:07:32,756 SURE, IT'S BIG, AND IT'S SCARY SOMETIMES, 126 00:07:32,800 --> 00:07:33,714 BUT IT'S NEW YORK. 127 00:07:33,757 --> 00:07:35,542 IT'S GOT IT ALL. 128 00:07:35,585 --> 00:07:37,631 SURE, MURDER AND MUGGINGS AND MAYHEM AND DARK ALLEYS 129 00:07:37,674 --> 00:07:39,633 AND LIKE THAT. 130 00:07:39,676 --> 00:07:43,767 AND MUSEUMS AND MUSIC, PARKS, PEOPLE, ENERGY. 131 00:07:43,811 --> 00:07:46,727 YEAH, YOU LIKE YOUR JOB? 132 00:07:46,770 --> 00:07:48,555 - IT'S KIND OF FUN. - YOU'RE ON BROADWAY, RIGHT? 133 00:07:48,598 --> 00:07:50,948 THE STAR OF A MUSICAL? 134 00:07:50,992 --> 00:07:51,949 A DRAMA? 135 00:07:51,993 --> 00:07:54,952 ALMOST. 136 00:07:54,996 --> 00:07:56,867 I'M WITH OFFICE TEMPORARY. 137 00:07:56,911 --> 00:07:59,827 NEW PLACES. NEW FACES. 138 00:07:59,870 --> 00:08:03,091 WHY IS A KID LIKE YOU ALONE? 139 00:08:03,134 --> 00:08:07,138 I'M NOT, NOW. 140 00:08:11,012 --> 00:08:12,709 OH, IT'S NICE. 141 00:08:12,753 --> 00:08:14,276 WELL, IT'S CLEAN. 142 00:08:14,319 --> 00:08:16,539 MM, BRIGHT. 143 00:08:16,583 --> 00:08:18,759 AND REAL CHEAP. 144 00:08:18,802 --> 00:08:22,197 AND I SEE YOU HAVE TASTE. 145 00:08:22,240 --> 00:08:23,894 OKAY, I GIVE UP. 146 00:08:23,938 --> 00:08:27,942 YOU CAN BE NICE IF YOU WANT TO, AND I WON'T STOP YOU ANYMORE. 147 00:08:27,985 --> 00:08:30,292 OKAY, WELL, 148 00:08:30,335 --> 00:08:33,295 IT'S NOT THE SQUAD ROOM, BUT IT'LL PASS. 149 00:08:33,338 --> 00:08:35,993 I BUY ALL THESE PAINTINGS ON WHIMS. 150 00:08:36,037 --> 00:08:38,213 KEEPS ME POOR, BUT IT'S FUN. 151 00:08:40,215 --> 00:08:43,044 WAS. 152 00:08:43,087 --> 00:08:44,915 I WAS BUYING ONE TODAY WHEN I SAW HIM, 153 00:08:44,959 --> 00:08:46,613 WHOEVER HE WAS. 154 00:08:46,656 --> 00:08:48,789 OH, YOU'RE NO LONGER SURE? 155 00:08:48,832 --> 00:08:50,225 I WAS. 156 00:08:50,268 --> 00:08:51,966 AND NOW? 157 00:08:54,055 --> 00:08:58,973 WELL, I GUESS I DID KIND OF HIT THE PANIC BUTTON. 158 00:08:59,016 --> 00:09:03,151 I'M NOT AS SCARED AS I WAS ANYMORE. 159 00:09:03,194 --> 00:09:07,285 IT IS BEGINNING TO SOUND A LITTLE FOOLISH. 160 00:09:07,329 --> 00:09:09,070 HAVE YOU GOT ANYBODY TO STAY WITH YOU TONIGHT? 161 00:09:09,113 --> 00:09:11,072 IS THAT A PROPOSITION? 162 00:09:13,074 --> 00:09:14,815 ONCE UPON A TIME IT WOULD HAVE BEEN. 163 00:09:17,644 --> 00:09:19,602 I HAVEN'T GOT ANY FRIENDS YET, 164 00:09:19,646 --> 00:09:21,604 MEN OR WOMEN. 165 00:09:21,648 --> 00:09:23,563 YOU KNOW, THIS IS AN OCCASION. 166 00:09:23,606 --> 00:09:26,043 YOU'RE THE FIRST MAN I'VE HAD IN THIS APARTMENT. 167 00:09:26,087 --> 00:09:29,830 YOU MUST HAVE A GLASS OF WINE WITH ME. 168 00:09:29,873 --> 00:09:33,703 WHY DO I ALWAYS GET PRIZES I CAN'T ACCEPT? 169 00:09:33,747 --> 00:09:36,314 LOOK, HERE'S MY CARD. MY CARD. 170 00:09:36,358 --> 00:09:38,012 IT SAYS DEMARCO'S GROCERY STORE, 171 00:09:38,055 --> 00:09:38,969 BUT ON THE OTHER SIDE THERE'S MY NUMBER. 172 00:09:40,318 --> 00:09:42,364 HERE, YOUR APARTMENT IS AS SAFE AS CAN BE. 173 00:09:42,407 --> 00:09:44,148 THE LOCKS SEEM TO WORK. 174 00:09:44,192 --> 00:09:47,891 IF YOU GET SCARED, CALL ME, OKAY? 175 00:09:58,946 --> 00:09:59,947 THANK YOU. 176 00:09:59,990 --> 00:10:01,731 NO, THANK YOU. 177 00:10:01,775 --> 00:10:03,907 YOU'RE A KIND MAN, 178 00:10:03,951 --> 00:10:07,607 AND YOU'RE REAL CHARMING, AND YOU DON'T BELIEVE ME, 179 00:10:07,650 --> 00:10:11,872 SO THANKS FOR NOT BELIEVING ME SO GRACIOUSLY. 180 00:10:11,915 --> 00:10:13,090 OKAY. 181 00:11:01,356 --> 00:11:03,401 ISN'T THAT FUNNY THE WAY THEY BUST THESE WINOS ON TV? 182 00:11:03,445 --> 00:11:06,709 GIVE THEM A BREAK. 183 00:11:06,753 --> 00:11:09,103 OH, STOP FOR A LITTLE LATE SUPPER? 184 00:11:09,146 --> 00:11:11,671 HAND-HOLDING AND CHAMPAGNE, LIEUTENANT? 185 00:11:11,714 --> 00:11:12,846 HE'LL PROBABLY TAKE HER TO THE ZOO 186 00:11:12,889 --> 00:11:13,934 ON SUNDAY LIKE ANY GOOD UNCLE. 187 00:11:15,326 --> 00:11:17,111 YOU KNOW, DRIVING BY HERE, I SAW JIMMY HILLER, 188 00:11:17,154 --> 00:11:19,417 NO GOOD JIMMY HILLER, STANDING ON THE CORNER, 189 00:11:19,461 --> 00:11:21,811 ST. MARK'S PLACE, AND I SAID TO MYSELF, 190 00:11:21,855 --> 00:11:23,421 "I'M SURE CROCKER'S GONNA WORRY WHAT HE'S DOING HERE." 191 00:11:23,465 --> 00:11:26,642 GO HOLD HIS HAND. 192 00:11:29,297 --> 00:11:31,691 KOJAK. 193 00:11:36,217 --> 00:11:38,959 WHEN? 194 00:12:21,523 --> 00:12:23,307 HER NAME IS-- 195 00:12:23,351 --> 00:12:25,266 JULIE WINSTON. 196 00:12:25,309 --> 00:12:27,790 OH, YOU KNOW HER OR KNEW HER. 197 00:12:27,834 --> 00:12:30,314 WHAT ELSE YOU GOT? 198 00:12:30,358 --> 00:12:32,447 WELL, SHE LIVED ON THE FOURTH FLOOR, LIEUTENANT. 199 00:12:32,490 --> 00:12:34,710 SORT OF A LONER. 200 00:12:34,754 --> 00:12:38,192 - STRANGE, YOU KNOW? - WHAT DO I KNOW? 201 00:12:38,235 --> 00:12:39,846 WELL, THE WAY I SEE IT, LIEUTENANT, 202 00:12:39,889 --> 00:12:42,849 SHE GOES UP ON THE ROOF TO GET SOME FRESH AIR. 203 00:12:42,892 --> 00:12:46,026 THEN SHE EITHER JUMPED, OR SHE FELL. 204 00:13:01,998 --> 00:13:04,914 SOME OF THOSE PRINTS ARE MINE. 205 00:13:25,848 --> 00:13:27,067 OKAY, I GIVE UP. 206 00:13:27,110 --> 00:13:31,071 YOU CAN BE NICE IF YOU WANT TO. 207 00:13:31,114 --> 00:13:33,856 I BUY ALL THESE PAINTINGS ON WHIMS. 208 00:13:33,900 --> 00:13:35,510 KEEPS ME POOR, BUT IT'S FUN. 209 00:13:35,553 --> 00:13:38,948 I WAS BUYING ONE TODAY WHEN I SAW HIM. 210 00:13:40,428 --> 00:13:43,474 IT IS BEGINNING TO SOUND A LITTLE FOOLISH. 211 00:13:47,304 --> 00:13:48,915 THIS IS AN OCCASION. 212 00:13:48,958 --> 00:13:51,004 YOU'RE THE FIRST MAN I'VE HAD IN THIS APARTMENT. 213 00:13:51,047 --> 00:13:54,137 YOU MUST HAVE A GLASS OF WINE WITH ME. 214 00:14:07,934 --> 00:14:09,500 YOU'RE A KIND MAN, 215 00:14:09,544 --> 00:14:11,938 AND YOU'RE REAL CHARMING. 216 00:14:11,981 --> 00:14:14,941 NO NOTES, NO SIGNS OF VIOLENCE ON THE ROOF OR IN HERE, 217 00:14:14,984 --> 00:14:16,943 JUST THIS CARD SHE WAS WRITING. 218 00:14:16,986 --> 00:14:19,902 AND YOU DON'T BELIEVE ME. 219 00:14:19,946 --> 00:14:21,991 LIEUTENANT? 220 00:14:26,343 --> 00:14:28,302 WE FINISHED? 221 00:14:30,434 --> 00:14:31,958 "TOM, 222 00:14:32,001 --> 00:14:34,003 "SAY HELLO TO ALL THE COPS IN OHIO. 223 00:14:34,047 --> 00:14:35,613 "IT'S LONELY HERE BUT NICE. 224 00:14:35,657 --> 00:14:36,614 JULIE." 225 00:14:36,658 --> 00:14:39,966 NO ADDRESS. 226 00:14:40,009 --> 00:14:41,881 GIVE THIS ONE THE FULL TREATMENT. 227 00:14:41,924 --> 00:14:43,447 GO THROUGH THIS APARTMENT. 228 00:14:43,491 --> 00:14:45,319 THEY JUST DID. 229 00:14:45,362 --> 00:14:48,365 GET THEM TO DUST HER BAGGAGE, THE THINGS IN HER DRESSER, 230 00:14:48,409 --> 00:14:49,976 FROM THE ROOFTOP TO THE WINDOW LEDGES. 231 00:14:50,019 --> 00:14:52,021 START TO CANVASS THE BUILDING, AND YOU SPREAD IT OUT. 232 00:14:52,065 --> 00:14:54,894 APARTMENTS, STORES, MAILMEN, MILKMEN, 233 00:14:54,937 --> 00:14:58,941 PEOPLE, WHO WAS HERE, WHO SHE SAW, AND LIKE THAT. 234 00:14:58,985 --> 00:15:01,248 FOR A JUMPER? 235 00:15:01,291 --> 00:15:03,032 FOR THIS ONE. 236 00:15:23,139 --> 00:15:25,272 SO FAR NO FRIENDS, NO RELATIVES, 237 00:15:25,315 --> 00:15:27,578 NOBODY TO I.D. THE BODY YET. 238 00:15:27,622 --> 00:15:30,059 NOBODY. 239 00:15:33,584 --> 00:15:35,325 SHE HAD ME. 240 00:15:35,369 --> 00:15:37,414 SO THERE'S NOTHING ELSE LEFT TO DO TONIGHT. 241 00:15:37,458 --> 00:15:40,374 WANT TO GET SOME EGGS ON THE WAY HOME? 242 00:15:40,417 --> 00:15:42,202 NO, I'M NOT READY TO CALL IT A NIGHT. 243 00:15:42,245 --> 00:15:46,293 YOU LOOK AT THE TIME. WHAT ELSE DO YOU CALL IT? 244 00:15:46,336 --> 00:15:49,383 HER PARENTS WERE KILLED IN A FIRE. 245 00:15:49,426 --> 00:15:52,386 SHE WAS 15. 246 00:15:52,429 --> 00:15:55,389 SHE REALLY GOT TO YOU. 247 00:15:55,432 --> 00:15:59,001 OH, SHE WAS A KID. 248 00:15:59,045 --> 00:16:00,916 I TOOK HER HOME TO MAKE ME FEEL BETTER. 249 00:16:00,960 --> 00:16:03,963 I LISTENED, AND I LEFT. 250 00:16:06,313 --> 00:16:08,576 AND SHE'S IN THE MORGUE NOW. 251 00:16:08,619 --> 00:16:11,187 YOU THINK THE DEAD MAN PUSHED HER? 252 00:16:11,231 --> 00:16:15,409 YOU KNOW, THE OHIO POLICE ARE SATISFIED THAT KELTON IS DEAD. 253 00:16:15,452 --> 00:16:19,413 THE FBI NEVER FILED A REPORT, WHY? 254 00:16:19,456 --> 00:16:22,633 THERE WAS A GANGLAND CONTRACT ON HIM. 255 00:16:22,677 --> 00:16:24,418 A BODY WAS FOUND IN A BURNT-OUT CAR. 256 00:16:24,461 --> 00:16:26,246 FALSE TEETH WERE HIS. 257 00:16:26,289 --> 00:16:28,509 JEWELRY. 258 00:16:28,552 --> 00:16:30,728 WHAT WAS LEFT OF HIS CLOTHES. 259 00:16:30,772 --> 00:16:35,168 HIS GIRLFRIEND IDENTIFIED WHAT THEY COULD SWEEP UP. 260 00:16:35,211 --> 00:16:36,517 YOU TIRED? 261 00:16:36,560 --> 00:16:38,258 - NO. - GOOD. 262 00:16:38,301 --> 00:16:40,738 WALK IN YOUR SLEEP TO THE FBI. 263 00:16:40,782 --> 00:16:42,218 YOU KNOW THE GUYS DOWN THERE. 264 00:16:42,262 --> 00:16:45,308 SEE IF YOU CAN GET SOMETHING ON THIS. 265 00:16:55,101 --> 00:16:57,277 - HELLO? - IT'S ME. 266 00:16:57,320 --> 00:16:58,495 NO NAMES. 267 00:16:58,539 --> 00:17:00,584 GO AHEAD WITH IT. 268 00:17:00,628 --> 00:17:02,717 I'M DEAD AGAIN. 269 00:17:16,557 --> 00:17:17,993 THAT WAS A LONG LUNCH. 270 00:17:18,037 --> 00:17:20,082 YOU EVER HAVE LUNCH WITH A GUY ON THE FEDERAL PAYROLL? 271 00:17:20,126 --> 00:17:22,128 YEAH, WHAT'D YOU GET BESIDES INDIGESTION? 272 00:17:22,171 --> 00:17:24,260 WELL, THE REASON THE FEDS DIDN'T CLOSE THE BOOK ON KELTON 273 00:17:24,304 --> 00:17:26,262 IS BECAUSE HE WAS ONE OF THE BEST EXPLOSIVE MEN 274 00:17:26,306 --> 00:17:28,134 IN THE BUSINESS, AND HE WAS SMART, 275 00:17:28,177 --> 00:17:30,658 TOO SMART TO GET BLOWN AWAY THE WAY IT HAPPENED. 276 00:17:30,701 --> 00:17:32,268 HOW DID IT HAPPEN? 277 00:17:32,312 --> 00:17:34,575 HE HIRED OUT TO SETTLE A LABOR DISPUTE. 278 00:17:34,618 --> 00:17:36,316 BLEW UP A UNION HALL. KILLED THREE PEOPLE. 279 00:17:36,359 --> 00:17:37,752 CRIPPLED TEN. 280 00:17:37,795 --> 00:17:39,623 THE BOYS SNUFFED HIM BEFORE HE COULD BE CONNECTED, 281 00:17:39,667 --> 00:17:41,147 AND THE FEDS DON'T BUY IT. 282 00:17:41,190 --> 00:17:42,583 I FOUND THE ARTIST SHE WAS TALKING TO 283 00:17:42,626 --> 00:17:44,454 WHEN THE GUY SPOTTED HER. 284 00:17:44,498 --> 00:17:46,674 HE DREW A SKETCH OF THE GUY, AND THAT'S IT RIGHT THERE. 285 00:17:46,717 --> 00:17:47,805 ALL RIGHT, THANK HIM FOR ME. 286 00:17:47,849 --> 00:17:49,633 I DID, LIEUTENANT, WITH $40. 287 00:18:23,363 --> 00:18:25,626 THE EXPECTED GROSS DURING A HOLIDAY PERIOD 288 00:18:25,669 --> 00:18:28,368 SHOULD EXCEED 1/2 MILLION PER STORE PER DAY. 289 00:18:28,411 --> 00:18:30,674 THAT'S 2 MILLION GROSS, LADIES AND GENTLEMEN. 290 00:18:30,718 --> 00:18:31,719 THE SALE RUNS FOR TEN DAYS. 291 00:18:31,762 --> 00:18:33,764 ARE WE ADDING UP? 292 00:18:33,808 --> 00:18:36,506 THEN THIS THING HAPPENS. 293 00:18:36,550 --> 00:18:40,467 WE'LL BE LUCKY IF WE SELL A PAIR OF TENNIS SHOES. 294 00:18:40,510 --> 00:18:42,208 AM I LATE? 295 00:18:42,251 --> 00:18:44,297 APPARENTLY IT DOESN'T MATTER WHETHER YOU'RE HERE AT ALL. 296 00:18:44,340 --> 00:18:45,863 HERE, THIS LETTER WAS TUCKED NEATLY 297 00:18:45,907 --> 00:18:48,562 INTO MY DASHBOARD THIS MORNING. 298 00:18:54,133 --> 00:18:56,526 "PAY $100,000, OR YOUR HOLIDAY BUSINESS 299 00:18:56,570 --> 00:18:59,399 "WILL BE WRECKED, AND YOU WILL HAVE TO CLOSE DOWN. 300 00:18:59,442 --> 00:19:02,402 NEXT MESSAGE WILL BE DIRECTIONS FOR PAYMENT." 301 00:19:02,445 --> 00:19:06,232 DO YOU HAVE ANY IDEA HOW MUCH THAT HOLIDAY BUSINESS REFERS TO? 302 00:19:06,275 --> 00:19:08,147 I'LL GET THIS RIGHT OVER TO THE POLICE LAB. 303 00:19:08,190 --> 00:19:10,192 THEY MAY HAVE A MAKE ON THE TYPEWRITER OR THE PAPER. 304 00:19:10,236 --> 00:19:12,673 MR. DONNELLY. 305 00:19:12,716 --> 00:19:16,242 POLICE HERE, PUBLICITY, FRIGHTENED CUSTOMERS, 306 00:19:16,285 --> 00:19:18,505 IS THAT REALLY WHAT YOU HAVE IN MIND? 307 00:19:18,548 --> 00:19:20,420 ARE YOU GONNA AT LEAST MAKE A FEEBLE ATTEMPT TO PREVENT 308 00:19:20,463 --> 00:19:22,900 THE LOSS OF 20 MILLION IN SALES, WHICH IS THE ONLY REASON 309 00:19:22,944 --> 00:19:25,164 I EMPLOY YOU AT THAT INFLATED SALARY? 310 00:19:25,207 --> 00:19:27,818 NOW, LOOK, MR. PROCTOR, THE P.D. HAVE THE MANPOWER 311 00:19:27,862 --> 00:19:30,169 AND THE EQUIPMENT TO HANDLE THIS KIND OF THING. 312 00:19:30,212 --> 00:19:31,474 THEY ALSO HAVE ENOUGH PRESS CONTACTS 313 00:19:31,518 --> 00:19:33,607 TO TURN OUR SALES FLOORS INTO ECHO CHAMBERS. 314 00:19:33,650 --> 00:19:36,436 YOU ARE OUR SECURITY CHIEF. 315 00:19:36,479 --> 00:19:39,613 ALL RIGHT. SEE WHAT I CAN FIND OUT. 316 00:19:39,656 --> 00:19:41,310 WE MAY HAVE SOME TIME BEFORE HE TRIES 317 00:19:41,354 --> 00:19:42,616 TO CONTACT US AGAIN ANYWAY. 318 00:19:42,659 --> 00:19:44,531 YEAH, DO THAT. 319 00:19:44,574 --> 00:19:45,749 THEN YOU WON'T BE SO EMBARRASSED 320 00:19:45,793 --> 00:19:47,534 TO PICK UP YOUR CHECK NEXT PAYDAY. 321 00:20:01,417 --> 00:20:05,204 THEN WE'RE AGREED. 322 00:20:05,247 --> 00:20:08,903 WE PAY. 323 00:21:10,486 --> 00:21:12,662 NOW LOOK, I DON'T WANT ANY RENT-A-COPS OR PART-TIMERS 324 00:21:12,706 --> 00:21:13,924 TO KNOW ANYTHING ABOUT THIS, 325 00:21:13,968 --> 00:21:15,361 'CAUSE, NUMBER ONE, THEY HAVE NO BACKGROUND 326 00:21:15,404 --> 00:21:16,666 FOR THIS KIND OF STUFF, 327 00:21:16,710 --> 00:21:18,364 AND NUMBER TWO, THEY'RE BOUND TO LET IT GET OUT. 328 00:21:18,407 --> 00:21:20,366 SO YOU JUST USE YOUR REGULARS, 329 00:21:20,409 --> 00:21:23,325 AND, YOU KNOW, TELL THEM TO KEEP THEIR EYES OPEN. 330 00:21:23,369 --> 00:21:25,371 WAIT A MINUTE, ANOTHER THING. 331 00:21:25,414 --> 00:21:27,373 GET ONE OF THE GIRLS TO PULL ALL THE FILES 332 00:21:27,416 --> 00:21:29,940 ON THE FIRED AND DISGRUNTLED EMPLOYEES, 333 00:21:29,984 --> 00:21:32,726 ALSO THE NASTY NOTES WRITTEN BY DISSATISFIED CUSTOMERS. 334 00:21:32,769 --> 00:21:34,554 WE'LL RUN THEM THROUGH THE USUAL, YOU KNOW, 335 00:21:34,597 --> 00:21:36,295 FOR THE TYPE AND THE KIND OF PAPER. 336 00:21:36,338 --> 00:21:39,254 WHY DON'T YOU JUST TURN IT OVER TO THE COPS? 337 00:21:39,298 --> 00:21:41,691 BECAUSE I DON'T MAKE THOSE KIND OF DECISIONS ANYMORE. 338 00:21:41,735 --> 00:21:45,913 I USED TO BUT NOT ANYMORE. 339 00:21:45,956 --> 00:21:47,480 YOU WANT ME TO EXPLAIN THAT BETTER? 340 00:21:47,523 --> 00:21:49,786 NO. 341 00:21:52,963 --> 00:21:54,661 YOU KNOW, IT'S ONLY A TWO-HOUR FLIGHT TO OHIO, 342 00:21:54,704 --> 00:21:57,533 THEN A QUICK HOP TO VIRGINIA, AND I'LL BE BACK TOMORROW. 343 00:21:57,577 --> 00:21:59,666 BE MY GUEST. 344 00:21:59,709 --> 00:22:02,059 I'LL TELL YOU THIS, 345 00:22:02,103 --> 00:22:04,627 I TRIED THAT ONE A FEW TIMES MYSELF, SO I'M TELLING YOU, 346 00:22:04,671 --> 00:22:06,586 YOU BETTER HAVE SOME CASH, BECAUSE BELIEVE ME, 347 00:22:06,629 --> 00:22:08,588 THERE'S NO WAY YOU'RE GONNA PULL EXPENSES FOR THIS 348 00:22:08,631 --> 00:22:09,589 FROM THE BOROUGH. 349 00:22:09,632 --> 00:22:11,025 IT'S A CUPPI CASE. 350 00:22:11,068 --> 00:22:12,505 JUMPED OR FELL. 351 00:22:12,548 --> 00:22:14,811 THEY WON'T SHELL OUT A DIME FOR A HUNCH. 352 00:22:14,855 --> 00:22:16,509 JUST COVER ME FOR THE NIGHT, 353 00:22:16,552 --> 00:22:19,425 AND SAVE THE ECONOMIC HISTORY OF THE NEW YORK POLICE DEPARTMENT. 354 00:22:19,468 --> 00:22:21,905 MY FRIEND THE JETSETTER. WHAT SET YOU OFF? 355 00:22:21,949 --> 00:22:24,038 ONE OF THESE PAUL NEWMAN COP MOVIES? 356 00:22:24,081 --> 00:22:25,779 A COUPLE OF MONTHS AFTER KELTON'S BODY 357 00:22:25,822 --> 00:22:29,957 WAS IDENTIFIED BY HIS GIRLFRIEND, SHE WAS KILLED, 358 00:22:30,000 --> 00:22:31,959 KILLED DURING THE COMMISSION OF A BURGLARY 359 00:22:32,002 --> 00:22:33,787 BUT NOT BY A POLICE BULLET, 360 00:22:33,830 --> 00:22:35,963 AND THAT CASE IS STILL OPEN IN OHIO. 361 00:22:36,006 --> 00:22:38,444 I TALKED TO THE LOCAL POLICE. 362 00:22:38,487 --> 00:22:41,055 YOU KNOW, KELTON HAS A SISTER IN PARKERSBURG, WEST VIRGINIA. 363 00:22:41,098 --> 00:22:43,318 IT'S ABOUT 20 MILES FROM OHIO. 364 00:22:43,362 --> 00:22:45,973 IT'S THE ONLY PLACE THAT PAUL NEWMAN'S NEVER BEEN TO. 365 00:22:46,016 --> 00:22:47,975 AND YOU KNOW WHAT? THAT'S WHY I'M GOING. 366 00:22:48,018 --> 00:22:49,585 IN CASE THE CAPTAIN CALLS FROM THE CONVENTION, 367 00:22:49,629 --> 00:22:50,586 I'LL TELL HIM. 368 00:22:54,764 --> 00:22:56,897 KOJAK. 369 00:23:00,030 --> 00:23:04,470 WHAT DO YOU MEAN WALNUT OR MAHOGANY? 370 00:23:04,513 --> 00:23:07,603 WELL, WHATEVER IT IS, I MEAN, SOMETHING NICE, OKAY? 371 00:23:07,647 --> 00:23:11,477 FLOWERS? YEAH. 372 00:23:11,520 --> 00:23:13,696 NO, I'M JUST A FRIEND, 373 00:23:13,740 --> 00:23:17,091 BUT I WANT YOU TO DO IT RIGHT, 374 00:23:17,134 --> 00:23:19,354 WHATEVER THAT MEANS, OKAY? 375 00:23:19,398 --> 00:23:21,835 THANKS. 376 00:23:39,983 --> 00:23:41,855 HEY, I ALREADY CHECKED THERE. 377 00:23:41,898 --> 00:23:44,858 GO CHECK THE DRESSING ROOMS. 378 00:23:57,740 --> 00:23:59,525 YOU, GET THE WATER VALVES 379 00:23:59,568 --> 00:24:02,441 AND KILL THE BELL. 380 00:24:02,484 --> 00:24:04,530 YOU, CALL THE FIRE DEPARTMENT. CANCEL THE ALARM. 381 00:24:04,573 --> 00:24:07,489 TELL THEM IT WAS A FAULTY SPRINKLER SYSTEM. 382 00:24:07,533 --> 00:24:09,883 COME ON, MOVE, MOVE! 383 00:24:21,938 --> 00:24:22,896 WHAT'S GOING ON? 384 00:24:22,939 --> 00:24:24,854 HE SET ONE OFF. 385 00:24:24,898 --> 00:24:26,160 I JUST LEFT THE 58TH STREET STORE. 386 00:24:26,203 --> 00:24:28,162 A TINY ONE IN THE AIR CONDITIONING DUCT. 387 00:24:28,205 --> 00:24:30,425 NOBODY'S HURT, JUST THE PLUMBING. 388 00:24:30,469 --> 00:24:31,905 I THINK WE CAN STILL SQUASH IT. 389 00:24:31,948 --> 00:24:34,037 PROCTOR'S GONNA GO OFF THE WALL. 390 00:24:34,081 --> 00:24:35,517 PROCTOR'S GONNA GO HIGHER THAN THAT. 391 00:24:35,561 --> 00:24:37,693 LOOK OVER THERE. 392 00:24:37,737 --> 00:24:39,782 UH, DON'T YOU HAVE ENOUGH TROUBLES, CROCKER? 393 00:24:39,826 --> 00:24:41,044 I MEAN, DON'T YOU HAVE THE PURITY 394 00:24:41,088 --> 00:24:43,438 OF NEW YORK WOMANHOOD TO WORRY ABOUT? 395 00:24:43,482 --> 00:24:45,788 WHAT ARE YOU DOING, CHASING FIRES NOW? COME ON. 396 00:24:45,832 --> 00:24:47,355 NO, WE GOT IT OVER THE AIR. 397 00:24:47,398 --> 00:24:49,139 THE C.B. SENT US DOWN HERE, SAID THERE WAS AN EXPLOSION. 398 00:24:49,183 --> 00:24:50,924 ALL THE BROADS IN NEW YORK ARE BUYING WHISTLES 399 00:24:50,967 --> 00:24:52,447 AND TAKING KARATE LESSONS. 400 00:24:52,491 --> 00:24:53,970 WHAT'D YOU DO, DROP A CIGAR AGAIN? 401 00:24:54,014 --> 00:24:57,757 OH, SO WE BLEW A COMPRESSOR. BIG DEAL, COME ON. 402 00:24:57,800 --> 00:24:59,672 TOM, TOM, I THOUGHT YOU RETIRED TO A CUSH JOB. 403 00:24:59,715 --> 00:25:02,501 THESE THINGS GOT TO GO FOR THREE FOR A DIME. 404 00:25:02,544 --> 00:25:04,241 YOU WANT TO SEE MY PENSION CHECK? 405 00:25:04,285 --> 00:25:06,200 NO, FRANKLY, I'D RATHER SEE MINE. 406 00:25:06,243 --> 00:25:09,986 CROCKER, FAVOR, DON'T USE THE WORD "FIRE." 407 00:25:10,030 --> 00:25:12,554 - IT KEEPS THE CUSTOMERS AWAY. - ALL RIGHT. 408 00:25:12,598 --> 00:25:15,775 HOW DOES "CONFLAGRATION" GRAB YOU? 409 00:25:15,818 --> 00:25:18,517 WHAT ABOUT "DISTURBANCE," HUH? 410 00:25:18,560 --> 00:25:20,867 WELL... 411 00:25:20,910 --> 00:25:24,000 WELL, IF HE'S HAPPY, I'M HAPPY. 412 00:25:36,883 --> 00:25:38,058 HOW MUCH DAMAGE WAS THERE? 413 00:25:38,101 --> 00:25:40,147 THREE TOILET BOWLS AND SOME SMOKE. 414 00:25:40,190 --> 00:25:41,670 THEN WE CAN OPEN IN THE MORNING. 415 00:25:41,714 --> 00:25:44,760 - POLICE HAPPY? - YEAH, I STILL GOT SOME MUSCLE. 416 00:25:44,804 --> 00:25:48,068 - THE OTHER STORE? - OH, WE'RE OKAY THERE. 417 00:25:48,111 --> 00:25:49,722 GOOD ENOUGH. 418 00:25:49,765 --> 00:25:52,159 WAIT A MINUTE, WAIT A MINUTE. WHAT DO YOU MEAN GOOD ENOUGH? 419 00:25:52,202 --> 00:25:53,987 YOU KNOW, WE GOT THIS YO-YO BOMBER RUNNING AROUND, 420 00:25:54,030 --> 00:25:55,815 EXPLODING THESE THINGS AT WILL. 421 00:25:55,858 --> 00:25:57,643 SO WE PAY, AND IT'S OVER. 422 00:25:57,686 --> 00:25:59,079 WE PAY HIM, AND HE'LL PULL THIS STUNT AGAIN, 423 00:25:59,122 --> 00:26:00,820 ON US AND OTHER STORES. 424 00:26:00,863 --> 00:26:03,083 LOOK, I'M NOT CONCERNED WITH THE OPERATION OF OTHER STORES. 425 00:26:03,126 --> 00:26:05,520 I OPERATE THIS CHAIN, AND THIS CHAIN PAYS. 426 00:26:05,564 --> 00:26:07,087 PROCTOR, LISTEN TO ME. 427 00:26:07,130 --> 00:26:08,610 HE BLEW THIS ONE EVEN BEFORE HE TOLD US 428 00:26:08,654 --> 00:26:09,829 WHERE TO DELIVER THE MONEY. 429 00:26:09,872 --> 00:26:11,134 NOW, HE'S GONNA CARRY THAT THING IN ONE DAY 430 00:26:11,178 --> 00:26:12,266 DURING BUSINESS HOURS, 431 00:26:12,309 --> 00:26:13,833 IT'S GONNA GO OFF AT THE WRONG TIME, 432 00:26:13,876 --> 00:26:15,661 AND WE'RE GONNA BE LETTING A BLOODBATH HAPPEN. 433 00:26:15,704 --> 00:26:17,663 HAVE YOU REALLY HAD ENOUGH OF THE GOOD LIFE 434 00:26:17,706 --> 00:26:19,665 PLUS AN INFLATED SALARY? 435 00:26:19,708 --> 00:26:20,666 WHAT DOES THAT MEAN? 436 00:26:20,709 --> 00:26:23,538 EXPLAIN IT TO HIM, 437 00:26:23,582 --> 00:26:25,148 AND DECIDE WHICH OF YOU WILL DELIVER THE MONEY 438 00:26:25,192 --> 00:26:27,281 WHEN HE ASKS FOR IT. 439 00:26:31,851 --> 00:26:33,635 HE MEANS DO WHAT HE SAYS. 440 00:26:33,679 --> 00:26:36,595 I KNOW WHAT HE MEANS. 441 00:26:41,904 --> 00:26:42,862 YEAH. 442 00:26:42,905 --> 00:26:43,863 WHAT ARE YOU TRYING TO DO, 443 00:26:43,906 --> 00:26:45,952 START WORLD WAR III ALL OVER? 444 00:26:45,995 --> 00:26:47,649 JUST TRYING OUT A NEW MIXTURE. 445 00:26:47,693 --> 00:26:48,650 YEAH, LET ME TELL YOU SOMETHING, 446 00:26:48,694 --> 00:26:49,869 WE DIDN'T NEED THE LAST ONE. 447 00:26:49,912 --> 00:26:50,913 WHAT'S THE MATTER, YOU CRAZY OR SOMETHING? 448 00:26:50,957 --> 00:26:52,611 SUPPOSE YOU KILLED SOMEONE. 449 00:26:52,654 --> 00:26:56,049 IMPOSSIBLE. 450 00:26:56,092 --> 00:26:57,877 DEAD MEN CAN'T KILL. 451 00:26:57,920 --> 00:26:59,574 I'M GONNA TELL YOU SOMETHING. 452 00:26:59,618 --> 00:27:01,837 YOU PULL THAT STUNT AGAIN, AND ME AND YOU ARE THROUGH. 453 00:27:01,881 --> 00:27:03,360 WE'RE THROUGH. 454 00:27:03,404 --> 00:27:05,885 EXTORTION'S ONE THING. MURDER'S ANOTHER. 455 00:27:05,928 --> 00:27:08,322 AH, FORGET ABOUT IT. THINK ABOUT THE MONEY. 456 00:27:08,365 --> 00:27:11,238 WAIT TILL YOU SEE THE NICE JOB I DID ON A NEW NOTE. 457 00:27:11,281 --> 00:27:13,675 I RAISED THE ANTE ANOTHER 100,000. 458 00:27:13,719 --> 00:27:15,285 HEY, YOU'RE CRAZY. 459 00:27:15,329 --> 00:27:18,158 THAT'S WHY THEY'RE GONNA PAY IT. 460 00:27:18,201 --> 00:27:20,900 YOU GOT SOMETHING AGAINST ANOTHER 50 GRAND IN YOUR POCKET? 461 00:27:20,943 --> 00:27:22,249 YOU'RE NOT GETTING THE MESSAGE. 462 00:27:22,292 --> 00:27:23,816 WE'RE NOT GOING TO BE ABLE TO PULL IT OFF. 463 00:27:23,859 --> 00:27:27,080 LOOK, YOU PICK UP THAT LETTER, AND YOU MAKE DELIVERY NOW. 464 00:27:27,123 --> 00:27:29,952 HELLO? HELLO? 465 00:27:57,806 --> 00:27:58,764 GOOD MORNING. 466 00:27:58,807 --> 00:28:00,156 WE'RE NOT OPEN FOR FOOD YET, 467 00:28:00,200 --> 00:28:01,680 BUT THERE'S FRESH COFFEE AND DOUGHNUTS. 468 00:28:01,723 --> 00:28:04,552 OH, THAT'LL DO FINE. I'LL HAVE A LOT OF EACH. 469 00:28:04,595 --> 00:28:06,336 HELP YOURSELF. I'LL COUNT THEM LATER. 470 00:28:06,380 --> 00:28:09,731 THANK YOU. JUST BLACK. 471 00:28:09,775 --> 00:28:12,516 ARE YOU THE OWNER OF THIS PLACE, MRS. CHESTER? 472 00:28:12,560 --> 00:28:14,736 - I'M THE OWNER. - WELL, I'D LOVE TO TALK TO YOU. 473 00:28:14,780 --> 00:28:19,001 WHAT ABOUT? 474 00:28:19,045 --> 00:28:23,658 I'M LIEUTENANT KOJAK, NEW YORK POLICE DEPARTMENT. 475 00:28:23,702 --> 00:28:24,746 I HAVE NOTHING TO SAY TO YOU. 476 00:28:26,530 --> 00:28:28,184 MRS. CHESTER, I DIDN'T ASK YOU ANYTHING YET. 477 00:28:28,228 --> 00:28:30,317 THEN WHAT ARE YOU HERE FOR, THE DOUGHNUTS? 478 00:28:30,360 --> 00:28:34,669 YEAH, AND ALSO, HOW SURE ARE YOU 479 00:28:34,713 --> 00:28:36,671 THAT YOUR BROTHER IS AMONG THE DEARLY DEPARTED? 480 00:28:36,715 --> 00:28:39,152 MY BROTHER IS DEAD. LET HIM BE. 481 00:28:39,195 --> 00:28:40,544 YEAH, WELL, A LOT OF PEOPLE ARE DEAD, 482 00:28:40,588 --> 00:28:41,720 BUT USUALLY YOU SEE BODIES. 483 00:28:41,763 --> 00:28:43,417 I SAW HIM. 484 00:28:43,460 --> 00:28:45,375 NO, YOU SAW A BOX OF ASHES. 485 00:28:45,419 --> 00:28:48,378 HIS GIRLFRIEND IDENTIFIED HIM ALSO. 486 00:28:48,422 --> 00:28:52,121 WELL, SHE GOT HERSELF KILLED ALSO. 487 00:28:52,165 --> 00:28:53,340 GET OUT. 488 00:28:53,383 --> 00:28:55,559 I DON'T HAVE TO TALK TO YOU. 489 00:28:55,603 --> 00:28:57,431 YOU KNOW A GIRL BY THE NAME OF JULIE WINSTON? 490 00:28:57,474 --> 00:29:00,173 SHE USED TO LIVE NEXT DOOR TO YOU IN OHIO? 491 00:29:00,216 --> 00:29:02,741 SHE GOT HERSELF DEAD ALSO. 492 00:29:02,784 --> 00:29:05,134 I'M CALLING THE POLICE AND MY LAWYER. 493 00:29:05,178 --> 00:29:06,396 YEAH, WELL, YOU CAN CALL YOUR LAWYER, 494 00:29:06,440 --> 00:29:09,443 HONEY, BUT THE LOCAL COPS KNOW I'M HERE. 495 00:29:09,486 --> 00:29:10,749 WHAT DID YOU DO? 496 00:29:10,792 --> 00:29:13,099 TALK TO EVERYBODY IN TOWN? 497 00:29:13,142 --> 00:29:14,578 NOBODY HERE KNOWS ME. 498 00:29:14,622 --> 00:29:16,755 MRS. CHESTER, 499 00:29:16,798 --> 00:29:20,671 YOU PAID $16,000 FOR THIS JOINT, CASH. 500 00:29:20,715 --> 00:29:22,630 WHERE'D THE CASH COME FROM, THE GRAVE? 501 00:29:22,673 --> 00:29:24,632 I SAVED IT. THERE WAS INSURANCE. 502 00:29:24,675 --> 00:29:26,765 NOT ON YOUR BROTHER THERE WASN'T. 503 00:29:26,808 --> 00:29:29,637 LOOK, I DON'T HAVE TO ANSWER TO YOU. 504 00:29:29,680 --> 00:29:30,856 NOW YOU GET OUT OF HERE, 505 00:29:30,899 --> 00:29:33,249 AND PLAY YOUR GAMES WITH SOMEBODY ELSE. 506 00:29:33,293 --> 00:29:35,425 MY BROTHER IS DEAD. 507 00:29:35,469 --> 00:29:36,731 YOU CAME HERE FOR NOTHING. 508 00:29:36,775 --> 00:29:39,168 OH, WHAT CAN I TELL YOU? 509 00:29:39,212 --> 00:29:40,343 THE TRIP WAS WORTH IT. 510 00:29:40,387 --> 00:29:41,867 AND I WANT TO THANK YOU VERY MUCH. 511 00:29:41,910 --> 00:29:44,260 - FOR WHAT? - FOR REASSURING ME. 512 00:29:44,304 --> 00:29:46,088 YOU SEE, I CAN STILL SPOT A LIAR A MILE AWAY. 513 00:29:46,132 --> 00:29:50,440 HERE, KEEP THE CHANGE. 514 00:29:50,484 --> 00:29:52,094 OH, IF YOU'RE NOT DOING ANYTHING ON FRIDAY, 515 00:29:52,138 --> 00:29:54,140 WHY DON'T YOU HOP A PLANE TO NEW YORK? 516 00:29:54,183 --> 00:29:55,837 THEY'RE BURYING JULIE WINSTON, 517 00:29:55,881 --> 00:29:57,839 AND THERE'S NOTHING LIKE A COUPLE OF FRIENDLY FACES 518 00:29:57,883 --> 00:30:00,320 FROM BACK HOME, RIGHT, BABY? 519 00:30:08,937 --> 00:30:10,809 YOU WANTED TO SEE ME? 520 00:30:10,852 --> 00:30:12,332 I RECEIVED ANOTHER MESSAGE. 521 00:30:12,375 --> 00:30:13,768 THIS ONE HAS INSTRUCTIONS. 522 00:30:13,812 --> 00:30:16,727 THE PRICE IS NOW $200,000, 523 00:30:16,771 --> 00:30:18,381 AND YOU'RE TO MAKE THE DELIVERY TOMORROW AFTERNOON. 524 00:30:18,425 --> 00:30:19,818 - YOU'LL BE MAKING A MISTAKE-- - DO IT. 525 00:30:19,861 --> 00:30:23,473 NO HEROICS BEFORE HIS PRICE GOES TO A MILLION. 526 00:30:31,307 --> 00:30:33,440 I CALLED THE AIRLINES, FOUND OUT YOUR PLANE WAS ON TIME, 527 00:30:33,483 --> 00:30:34,833 AND I'VE BEEN WAITING TO HEAR THE NEWS. 528 00:30:34,876 --> 00:30:36,312 OH, YEAH, WHAT, ARE YOU WORRIED 529 00:30:36,356 --> 00:30:37,836 I'LL GET INTO A JAM OVER THIS? 530 00:30:37,879 --> 00:30:40,229 I'M WORRIED, CONCERNED. 531 00:30:40,273 --> 00:30:43,232 YOU'RE NOT A BAD GUY SOMETIMES. 532 00:30:43,276 --> 00:30:45,844 DON'T BE SO NICE, NICOLA. YOU'RE LIABLE TO GET USED TO IT. 533 00:30:45,887 --> 00:30:47,846 HOW'D IT GO? 534 00:30:47,889 --> 00:30:50,196 WHO SAYS THE SKIES ARE FRIENDLY? 535 00:30:50,239 --> 00:30:51,806 WAS IT AT LEAST WORTH IT? 536 00:30:51,850 --> 00:30:53,503 YOU LOOK TERRIBLE. 537 00:30:53,547 --> 00:30:54,940 WELL, KELTON'S GIRLFRIEND, SHE I.D.s HIM, 538 00:30:54,983 --> 00:30:57,507 AND THEN SHE GETS KILLED ABOUT A YEAR AGO. 539 00:30:57,551 --> 00:31:00,684 HIS SISTER LEAVES THE TOWN SHE'S LIVED IN FOR MOST OF HER LIFE 540 00:31:00,728 --> 00:31:03,383 AND COMES UP WITH ENOUGH CASH TO OPEN A BUSINESS 541 00:31:03,426 --> 00:31:05,428 ALL ABOUT THE TIME OF KELTON'S DEATH. 542 00:31:05,472 --> 00:31:07,256 DID YOU FIND OUT IF JULIE WINSTON HAD A FAMILY? 543 00:31:07,300 --> 00:31:08,910 WELL, I DIDN'T GO DOWN THERE FOR THAT, DID I? 544 00:31:08,954 --> 00:31:11,391 I KNOW, BUT DID YOU FIND OUT IF SHE HAD A FAMILY? 545 00:31:11,434 --> 00:31:13,741 I FOUND A NUN WHO REMEMBERED HER WHEN SHE WAS IN A HOME. 546 00:31:13,784 --> 00:31:15,612 SHE'S COMING UP FOR THE FUNERAL. 547 00:31:15,656 --> 00:31:18,224 HEY, LIEUTENANT, THAT'S A PRETTY EXPENSIVE PROPOSITION. 548 00:31:18,267 --> 00:31:20,356 THERE'S NOT THAT MUCH INVOLVED. 549 00:31:20,400 --> 00:31:22,663 THAT'S THE ONLY FAMILY SHE HAD? 550 00:31:22,706 --> 00:31:25,361 YEAH. 551 00:31:25,405 --> 00:31:26,710 KELTON'S ALIVE. I KNOW IT. 552 00:31:26,754 --> 00:31:29,713 PROVE IT, AND YOU CAN WIRE OHIO. 553 00:31:29,757 --> 00:31:31,715 THEY HAVE A MURDER CASE ON HIM. 554 00:31:31,759 --> 00:31:33,630 BUT HERE, IF DOWNTOWN FINDS OUT, YOU'RE GONNA LOOK 555 00:31:33,674 --> 00:31:35,981 LIKE A HORSE'S RUMP HUNTING FOR A MAN LISTED AS D.O.A. 556 00:31:36,024 --> 00:31:39,375 HEY, WHO CALLED THIS MEETING TO ORDER? 557 00:31:47,557 --> 00:31:49,864 I'D BE GLAD TO TAKE A MESSAGE. 558 00:31:49,908 --> 00:31:52,867 OH, HOLD ON. HOLD ON. 559 00:31:52,911 --> 00:31:55,391 KOJAK. 560 00:31:55,435 --> 00:31:56,827 MRS. AUSTIN? 561 00:31:56,871 --> 00:32:01,310 THAT'S JULIE WINSTON'S LANDLADY. 562 00:32:01,354 --> 00:32:04,270 WHAT EFFECTS? 563 00:32:04,313 --> 00:32:06,707 WELL, ISN'T THERE ANY-- 564 00:32:06,750 --> 00:32:09,405 I SEE, PAINTINGS, SOME BOOKS. 565 00:32:09,449 --> 00:32:10,711 WELL, SOMETIME LATER. 566 00:32:10,754 --> 00:32:12,278 I'LL BE A LITTLE TIED UP. 567 00:32:12,321 --> 00:32:14,410 YES, THANKS. 568 00:32:29,034 --> 00:32:31,732 CROCKER. 569 00:32:31,775 --> 00:32:33,821 CROCKER! 570 00:32:36,780 --> 00:32:39,261 WHAT'S WITH THIS DEPARTMENT STORE FIRE LAST NIGHT? 571 00:32:39,305 --> 00:32:41,307 IT WAS AN ACCIDENT, COMPRESSOR BLEW, NO INJURIES. 572 00:32:41,350 --> 00:32:42,699 YOU TALK TO THE FIRE DEPARTMENT? 573 00:32:42,743 --> 00:32:43,918 NO. 574 00:32:43,962 --> 00:32:45,789 YOU TALK TO WITNESSES? 575 00:32:45,833 --> 00:32:47,922 WELL, THEIR SECURITY CHIEF, TOM DONNELLY, YOU KNOW HIM 576 00:32:47,966 --> 00:32:50,794 FROM THE--HE'S RETIRED FROM THE FLATBUSH DETECTIVES. 577 00:32:50,838 --> 00:32:53,449 - HE GAVE ME ALL THE INFORMATION. - OH, YEAH. 578 00:32:53,493 --> 00:32:56,975 WHAT DID HE DO, CAMOUFLAGE YOU FROM THE SMOKE FROM HIS CIGARS? 579 00:32:57,018 --> 00:33:00,500 I MEAN, THE FIRE DEPARTMENT RULED THE FIRE AS SUSPICIOUS. 580 00:33:03,503 --> 00:33:05,548 COME ON. LET'S GO. 581 00:33:09,596 --> 00:33:14,296 - YOU'VE COME A LONG WAY, BABY. - I LIKE TO THINK SO. 582 00:33:14,340 --> 00:33:15,297 I MEAN, IF YOU DON'T GET THE BUILDING 583 00:33:15,341 --> 00:33:17,691 BLOWN UP WITH YOU UNDER IT. 584 00:33:20,737 --> 00:33:24,480 THAT MATCH GIVE YOU ENOUGH TIME TO THINK UP AN ANSWER? 585 00:33:24,524 --> 00:33:27,048 AH, THEO, COMPRESSORS BLOW OUT. 586 00:33:27,092 --> 00:33:28,615 IT HAPPENS. 587 00:33:28,658 --> 00:33:31,835 "IT HAPPENS." OH, HOW EASY. 588 00:33:31,879 --> 00:33:35,535 TWO ALARMS TRANSMITTED FROM TWO STORES ON THE SAME DAY. 589 00:33:35,578 --> 00:33:38,407 ONE YOU SQUASH WITH A CON JOB ON A YOUNG COP 590 00:33:38,451 --> 00:33:41,323 WHO WANTS TO BE A NICE GUY TO A FORMER COP, 591 00:33:41,367 --> 00:33:42,455 AND THE OTHER'S DESIGNATED 592 00:33:42,498 --> 00:33:45,023 AS SUSPICIOUS BY THE FIRE DEPARTMENT. 593 00:33:45,066 --> 00:33:47,025 "CAUSED BY DETONATION." 594 00:33:47,068 --> 00:33:48,548 THAT'S THE WAY THEY PUT IT. 595 00:33:48,591 --> 00:33:50,115 NOW, HOW WOULD YOU PUT IT? 596 00:33:50,158 --> 00:33:52,334 - FELLOWS, NO ONE WAS HURT. - HURT? 597 00:33:52,378 --> 00:33:53,770 YOU PLAYED ME FOR A JERK. 598 00:33:53,814 --> 00:33:54,858 GAVE ME A COCK-AND-BULL STORY 599 00:33:54,902 --> 00:33:55,946 THAT I GOT TO WRITE UP IN A REPORT. 600 00:33:55,990 --> 00:33:57,774 THAT WAS NO REPORT. 601 00:33:57,818 --> 00:33:59,733 IT WAS JUST A PIECE OF PAPER THAT YOU SIGNED YOUR NAME ON. 602 00:33:59,776 --> 00:34:01,865 TO ME IT WAS MY JOB. 603 00:34:01,909 --> 00:34:04,694 DONNELLY, IT'S BEGINNING TO STINK. 604 00:34:04,738 --> 00:34:07,523 I MEAN THE STORY AND THAT CIGAR. 605 00:34:07,567 --> 00:34:10,091 THEO, IT'S BEING HANDLED. DON'T WORRY ABOUT IT. 606 00:34:10,135 --> 00:34:11,745 HANDLED? HOW? 607 00:34:11,788 --> 00:34:13,703 AND BY WHO? 608 00:34:13,747 --> 00:34:15,662 NOW YOU TALK TO ME, EX-COP, 609 00:34:15,705 --> 00:34:18,578 OR I'LL MAKE A BIGGER EXPLOSION THAN THE LAST TWO. 610 00:34:23,409 --> 00:34:25,106 ALL RIGHT, IT'S EXTORTION. 611 00:34:25,150 --> 00:34:27,587 THE GUY DELIVERED SOME SAMPLE BOMBS. 612 00:34:27,630 --> 00:34:30,155 NOW I DELIVER THE PRICE, OR HE'S GONNA DO IT AGAIN. 613 00:34:30,198 --> 00:34:31,765 AND I GOT A BOSS THAT WRITES THE RULES, 614 00:34:31,808 --> 00:34:35,943 WHICH INCLUDE NOT HAVING ANYTHING TO DO WITH COPS. 615 00:34:35,986 --> 00:34:40,121 WAIT A MINUTE, WAIT A MINUTE, FELLOWS, PLEASE, SIT DOWN. 616 00:34:40,165 --> 00:34:42,123 NOW, LOOK, IF YOU PUT THE PRESSURE ON PROCTOR, 617 00:34:42,167 --> 00:34:44,604 HE'S GONNA KNOW IT STARTED WITH ME, AND I'LL BE OUT OF A JOB. 618 00:34:53,091 --> 00:34:55,615 OKAY. 619 00:35:00,054 --> 00:35:01,838 PAYOFF IS TOMORROW. 620 00:35:01,882 --> 00:35:04,754 SET IT UP ANY WAY YOU WANT. 621 00:35:04,798 --> 00:35:06,669 WE CAN ALWAYS BLOW IT OPEN. 622 00:35:06,713 --> 00:35:08,541 OKAY. 623 00:35:08,584 --> 00:35:11,979 WHEN I KNOW WHERE, YOU'LL KNOW. 624 00:35:12,022 --> 00:35:15,417 WE'LL EXPECT A CALL. 625 00:35:15,461 --> 00:35:17,202 I'M SORRY I CONNED YOU, KID. 626 00:35:17,245 --> 00:35:18,725 THAT'S ALL RIGHT, DONNELLY. 627 00:35:18,768 --> 00:35:19,943 I WOULDN'T WANT YOU TO BE STRAIGHT WITH A COP 628 00:35:19,987 --> 00:35:22,685 WHO'S STILL A COP. 629 00:35:25,035 --> 00:35:26,733 WHAT CAN YOU DO WITH A KID 630 00:35:26,776 --> 00:35:30,128 WHO STILL BELIEVES IN SELF-RESPECT, HUH? 631 00:35:36,873 --> 00:35:39,920 YOU MEAN TO TELL ME THAT I SHOULD HAVE BEEN EASIER ON HIM? 632 00:35:39,963 --> 00:35:42,488 HE HAD IT COMING. 633 00:35:46,231 --> 00:35:47,884 WHAT'S HAPPENING ABOUT THAT SKETCH THE ARTIST MADE 634 00:35:47,928 --> 00:35:49,712 OF THAT GUY WHO ASKED ABOUT JULIE WINSTON? 635 00:35:49,756 --> 00:35:51,497 WE'VE GOT THEM SPREAD ALL OVER THE VILLAGE. 636 00:35:51,540 --> 00:35:53,455 NOW, WAIT A MINUTE. 637 00:35:53,499 --> 00:35:55,240 HOW MANY GUYS WE LOOKING FOR? 638 00:35:55,283 --> 00:35:58,721 KELTON'S M.O. AND THIS GUY WHO HIT THE DEPARTMENT STORES? 639 00:35:58,765 --> 00:36:00,201 YOU THINK IT ALL TIES TOGETHER? 640 00:36:00,245 --> 00:36:03,204 SO FAR IT DOESN'T FALL APART. 641 00:36:03,248 --> 00:36:05,641 SHE RAN FROM A BOMBER SHE SWORE WAS STILL ALIVE, 642 00:36:05,685 --> 00:36:08,949 AND SUDDENLY SHE GOES OFF A ROOF FOR NO REASON. 643 00:36:08,992 --> 00:36:11,212 WHY? WHY? 644 00:36:11,256 --> 00:36:13,649 BECAUSE SHE DID SEE HIM, BOBBY. 645 00:36:13,693 --> 00:36:16,043 HE'S HERE NOW-- THE SAME M.O. AS KELTON'S, 646 00:36:16,086 --> 00:36:18,654 THE SAME CARELESSNESS ABOUT VICTIMS. 647 00:36:18,698 --> 00:36:20,874 GET THE GUYS SET UP. I WANT AN 8:00 CALL. 648 00:36:20,917 --> 00:36:24,225 THAT GIVES US TIME TO STAKE OUT THE DROP WHEN DONNELLY CALLS 649 00:36:24,269 --> 00:36:26,706 AND THEN GET SOME SLEEP. 650 00:36:30,753 --> 00:36:33,800 YOU WANT TO GET SOMETHING TO EAT FIRST? 651 00:36:33,843 --> 00:36:35,280 YEAH, SURE. 652 00:36:35,323 --> 00:36:36,846 WHERE YOU GONNA BE? I'LL DROP BY. 653 00:36:36,890 --> 00:36:39,719 I WAS THINKING OF THAT CHINESE JOINT DOWN ON MOTT STREET. 654 00:36:50,730 --> 00:36:52,732 LIEUTENANT KOJAK? 655 00:36:52,775 --> 00:36:55,125 HI, I'M MRS. AUSTIN. 656 00:36:55,169 --> 00:36:57,084 LISTEN, I'VE GOT EVERYTHING READY FOR YOU. 657 00:36:57,127 --> 00:36:58,694 BUT I REALLY HATE TO RUSH YOU LIKE THIS, 658 00:36:58,738 --> 00:37:00,653 BUT, YOU KNOW, THE PEOPLE THAT OWN THIS PLACE, 659 00:37:00,696 --> 00:37:03,612 THEY WANT TO GET THIS JOINT RENTED AS SOON AS POSSIBLE. 660 00:37:03,656 --> 00:37:05,310 DO YOU HAVE A SISTER? 661 00:37:05,353 --> 00:37:07,877 BECAUSE THESE CLOTHES AREN'T VERY EXPENSIVE, BUT GEE, 662 00:37:07,921 --> 00:37:10,619 THEY'RE REALLY USABLE, YOU KNOW. 663 00:37:10,663 --> 00:37:14,232 - GIVE THEM TO SOMEBODY. - OH, OKAY. 664 00:37:16,277 --> 00:37:20,238 LISTEN, YOU LOCK UP FOR ME, WILL YOU? 665 00:37:20,281 --> 00:37:22,588 I HAVEN'T GOT ANY FRIENDS YET. 666 00:37:22,631 --> 00:37:25,243 YOU'RE THE FIRST MAN I'VE HAD IN THIS APARTMENT. 667 00:37:37,298 --> 00:37:41,259 - WHAT ARE YOU EATING? - SHRIMP. 668 00:37:41,302 --> 00:37:42,390 I'M NOT THAT HUNGRY. 669 00:37:42,434 --> 00:37:43,739 WOULD YOU BRING US TWO BEERS, PLEASE? 670 00:37:43,783 --> 00:37:45,045 VERY COLD. 671 00:37:45,088 --> 00:37:46,568 ARE YOU STILL MAD? 672 00:37:46,612 --> 00:37:48,918 DONNELLY MAKES THE WORD "PIG" SOUND RIGHT. 673 00:37:48,962 --> 00:37:51,007 HE WAS ON THE FORCE A LONG TIME. 674 00:37:51,051 --> 00:37:52,922 NOW HE'S HAD A TASTE OF THE GOOD LIFE. 675 00:37:52,966 --> 00:37:54,968 HE'S AFRAID OF LOSING IT. 676 00:37:55,011 --> 00:37:58,841 YOU KNOW, WHEN YOU GET OLD, YOU GET NERVOUS ABOUT TOMORROW. 677 00:37:58,885 --> 00:38:00,800 DON'T LOOK BACK, BECAUSE IT'S GONNA HAPPEN TO YOU. 678 00:38:00,843 --> 00:38:02,105 YOU KNOW HIM THAT WELL? 679 00:38:02,149 --> 00:38:04,282 WELL ENOUGH TO MAKE EXCUSES FOR HIM? 680 00:38:04,325 --> 00:38:06,153 HEY, LISTEN, 681 00:38:06,196 --> 00:38:08,068 WHEN HE WAS IN THE POLICE DEPARTMENT, HE WAS GOOD. 682 00:38:08,111 --> 00:38:09,896 I MEAN, HE DID IT ALL. 683 00:38:09,939 --> 00:38:11,941 HE EVEN REMEMBERED HIS FRIENDS WHEN HE GOT THE JOB. 684 00:38:11,985 --> 00:38:13,682 SO WHAT DO WE OWE HIM? 685 00:38:13,726 --> 00:38:15,293 NOTHING--INCIDENTALLY, 686 00:38:15,336 --> 00:38:18,383 HE PROBABLY WOULD HAVE TRIED TO CON ME THE WAY HE CONNED YOU. 687 00:38:18,426 --> 00:38:19,949 HE PROBABLY WOULD HAVE SUCCEEDED TOO. 688 00:38:19,993 --> 00:38:21,995 YEAH, SURE, HE WOULD HAVE. 689 00:38:22,038 --> 00:38:24,737 SO IT SOUNDS GOOD. 690 00:38:24,780 --> 00:38:26,304 ANYWAY, IT'S TRUE. 691 00:38:26,347 --> 00:38:28,741 YOU KNOW, HE'S GOTTEN AT LEAST TEN RETIRED GUYS JOBS 692 00:38:28,784 --> 00:38:30,046 THROUGH THE YEARS. 693 00:38:30,090 --> 00:38:31,309 THAT OTHER ONE, WHAT'S HIS NAME, ANDY RHODES, 694 00:38:31,352 --> 00:38:32,962 OUT OF THE BROOKLYN DIVISION. 695 00:38:33,006 --> 00:38:34,137 YOU GOT TO GIVE THE GUY CREDIT. 696 00:38:34,181 --> 00:38:35,791 HE COULD HAVE HIRED CIVILIANS, RIGHT? 697 00:38:35,835 --> 00:38:37,358 BUT HE WENT WITH THE GUYS. 698 00:38:37,402 --> 00:38:38,751 ALL RIGHT. I'LL STAY ON THE FORCE. 699 00:38:38,794 --> 00:38:40,796 WHEN I GET THE URGE TO TRAVEL, I'LL COME TO YOU. 700 00:38:40,840 --> 00:38:43,364 RIGHT, 'CAUSE I WENT TO WEST VIRGINIA ONCE-- 701 00:38:43,408 --> 00:38:46,411 NOT EXACTLY A WORLD TRAVEL AUTHORITY. 702 00:38:46,454 --> 00:38:49,152 WHAT'S WRONG WITH THIS? YOU DON'T RECOGNIZE HONG KONG? 703 00:38:49,196 --> 00:38:51,372 HEAR ANY MORE ABOUT THE GIRL? 704 00:38:51,416 --> 00:38:53,374 NO, NO MORE THAN I HAD BY THIS AFTERNOON. 705 00:38:53,418 --> 00:38:55,115 YOU KNOW, COFFEE AND TEA AND DOUGHNUTS. 706 00:38:55,158 --> 00:38:58,161 A JUG OF WINE AND THOU AND LIKE THAT. 707 00:38:58,205 --> 00:39:01,643 SHE SEEMED LIKE A NICE CHICK. 708 00:39:01,687 --> 00:39:02,862 YEAH. 709 00:39:02,905 --> 00:39:04,385 ALL RIGHT, NOW I'M HOLDING YOUR HAND. 710 00:39:04,429 --> 00:39:06,169 I MEAN, THINGS HAPPEN, LIKE JULIE WINSTON. 711 00:39:06,213 --> 00:39:08,824 - IT JUST HAPPENS. - HEY, LOOK. 712 00:39:08,868 --> 00:39:11,653 I'VE HAD ENOUGH WORLD TRAVEL FOR THIS AFTERNOON, OKAY? 713 00:39:11,697 --> 00:39:13,351 YOU GONNA PAY THE GUY? 714 00:39:32,195 --> 00:39:34,372 ALL RIGHT, HEADS UP. 715 00:39:34,415 --> 00:39:37,375 THE TWO MEN IN THE BUSINESS SUITS WITH THE PAPER BAG, HUH? 716 00:39:37,418 --> 00:39:39,333 - I GOT THEM. - NEVER MIND THEM. 717 00:39:39,377 --> 00:39:41,901 YOU WATCH THE BAG. 718 00:39:48,951 --> 00:39:50,388 THE DROP IS MADE. 719 00:39:50,431 --> 00:39:53,216 LET'S SETTLE DOWN NOW AND STAY AWAKE, OKAY? 720 00:40:06,316 --> 00:40:08,144 WE SHOULD HAVE BROUGHT SLEEPING BAGS. 721 00:40:08,188 --> 00:40:09,450 OH, YEAH? 722 00:40:09,494 --> 00:40:11,017 WOULD YOU RATHER BE DOWN IN THE VILLAGE 723 00:40:11,060 --> 00:40:12,627 SHOWING THE PICTURES AROUND? 724 00:40:12,671 --> 00:40:14,847 WELL, IF I HAD MY CHOICE NOW, I THINK I'D RATHER SAY YES. 725 00:40:18,067 --> 00:40:20,200 YOU'RE SUPPOSED TO BE IN THE VILLAGE WITH KELTON'S SKETCH. 726 00:40:20,243 --> 00:40:21,462 LIEUTENANT NICOLA SENT ME. 727 00:40:21,506 --> 00:40:22,942 BRADEN'S DEPARTMENT STORE'S BEEN BOMBED, 728 00:40:22,985 --> 00:40:23,986 THE ONE ON THE EAST SIDE. 729 00:40:24,030 --> 00:40:26,424 ONE OF THE CUSTOMERS WAS KILLED. 730 00:40:28,338 --> 00:40:30,863 GO DOWN AND PICK UP THE MONEY. 731 00:40:33,126 --> 00:40:35,258 NO COLLECTION TODAY. 732 00:40:43,919 --> 00:40:45,834 THE BOMB WAS TIMED TO GO OFF AT EXACTLY THAT HOUR. 733 00:40:45,878 --> 00:40:47,488 WHOEVER DID IT KNEW HE WAS GONNA HIT ON AN OPEN STORE. 734 00:40:47,532 --> 00:40:48,881 HE WANTED BLOOD. 735 00:40:48,924 --> 00:40:50,404 YEAH, AND HE ALSO KNEW WE STAKED OUT THE PAYOFF. 736 00:40:50,448 --> 00:40:51,840 SO GIVE ME NAMES. 737 00:40:51,884 --> 00:40:53,276 - NOBODY. - NOBODY. 738 00:40:53,320 --> 00:40:55,235 WHAT DO YOU MEAN NOBODY? WHO PUT THE MONEY TOGETHER? 739 00:40:55,278 --> 00:40:56,802 WHAT ABOUT THE GUY CARRYING THE BUNDLE? 740 00:40:56,845 --> 00:40:58,020 WELL, PROCTOR PUT THE MONEY TOGETHER, 741 00:40:58,064 --> 00:40:59,500 AND THE GUY WITH ME WAS RHODES. 742 00:40:59,544 --> 00:41:01,720 OH, ANYBODY ELSE? 743 00:41:01,763 --> 00:41:03,896 - THAT'S IT. - HEY. 744 00:41:03,939 --> 00:41:06,159 SOMEONE HAS TO BE FEEDING INFORMATION FROM THE INSIDE. 745 00:41:06,202 --> 00:41:07,247 IT DOESN'T FIGURE TO BE PROCTOR. 746 00:41:07,290 --> 00:41:08,944 HE CAN STEAL ALL HE WANTS WITH A PEN. 747 00:41:08,988 --> 00:41:10,990 SO IT'S RHODES. 748 00:41:11,033 --> 00:41:13,427 WELL, ANDY RHODES HAS BEEN WITH ME SINCE I HAD THIS JOB. 749 00:41:13,471 --> 00:41:15,473 YOU KNOW, HE USED TO WORK OUT OF THE BROOKLYN PRECINCT TOO. 750 00:41:15,516 --> 00:41:16,735 YOU'RE KIDDING. 751 00:41:16,778 --> 00:41:19,520 WELL, TELL ME HOW KIND HE IS TO HIS MOTHER. 752 00:41:19,564 --> 00:41:20,913 I DON'T KNOW. 753 00:41:20,956 --> 00:41:22,088 LIVES ALONE. 754 00:41:22,131 --> 00:41:24,133 DRIVES A CAR OLD ENOUGH TO LOOK HONEST. 755 00:41:24,177 --> 00:41:27,093 BUYS HIS CLOTHES OFF A RACK IN THE STORE, CUT RATE. 756 00:41:27,136 --> 00:41:28,442 GOES TO FLORIDA TWO WEEKS A YEAR. 757 00:41:28,486 --> 00:41:30,836 - HE HAVE AN OFFICE? - THAT DESK. 758 00:41:30,879 --> 00:41:33,229 WHY DON'T YOU LET ME SEE HIS PHONE BILLS? 759 00:41:37,277 --> 00:41:41,063 THESE PAPERS MAKE HIM LOOK LIKE ALL HE DOES IS HIS JOB. 760 00:41:41,107 --> 00:41:43,762 YOU KNOW THIS IS WRONG. YOU SHOULD HAVE A COURT ORDER. 761 00:41:43,805 --> 00:41:46,112 OH, HO, HO, HO. NOW HE GETS RELIGION, HUH? 762 00:41:46,155 --> 00:41:48,288 WE DON'T HAVE ENOUGH FOR A COURT ORDER, SO YOU DO IT. 763 00:41:48,331 --> 00:41:49,550 YOU'RE SECURITY HERE. GO AHEAD. 764 00:41:49,594 --> 00:41:51,465 CLEAR YOUR FRIEND. 765 00:41:51,509 --> 00:41:54,512 ALL RIGHT, PULL ANYTHING FROM OHIO OR WEST VIRGINIA. 766 00:41:54,555 --> 00:41:58,864 626 OR 543 EXCHANGE. 767 00:41:58,907 --> 00:42:00,518 OH, MY GOD. 768 00:42:03,477 --> 00:42:05,958 THREE CALLS IN THE SAME WEEK ALL TO THAT COFFEE SHOP, 769 00:42:06,001 --> 00:42:08,134 KELTON'S SISTER. WHERE'S RHODES NOW? 770 00:42:08,177 --> 00:42:10,005 HE'S UP IN PROCTOR'S OFFICE WAITING FOR ANOTHER CONTACT 771 00:42:10,049 --> 00:42:12,225 FROM THE BOMBER. 772 00:42:17,143 --> 00:42:18,536 WHERE'S RHODES? 773 00:42:18,579 --> 00:42:20,015 RHODES IS DOING WHAT YOU SHOULD HAVE DONE, 774 00:42:20,059 --> 00:42:21,495 DELIVERING THE PACKAGE. 775 00:42:21,539 --> 00:42:22,888 - WHO ARE THESE MEN? - OH, HI THERE. 776 00:42:22,931 --> 00:42:24,063 WE'RE THE COPS. 777 00:42:24,106 --> 00:42:25,412 THE POLICE. 778 00:42:25,455 --> 00:42:27,370 I TOLD YOU NO POLICE. 779 00:42:27,414 --> 00:42:29,895 LOOK, WOULD YOU LET ME SEE THE MESSAGE, YOU KNOW, THE NOTE? 780 00:42:32,201 --> 00:42:33,986 I HAVE A BUSINESS TO PROTECT. 781 00:42:34,029 --> 00:42:37,380 ABOUT YOUR HOLIDAY SALES, MR. PROCTOR, QUE SERA,BABY. 782 00:42:37,424 --> 00:42:39,034 I WANT THE NOTE. 783 00:42:39,078 --> 00:42:40,340 I DIDN'T SEE THE NOTE. 784 00:42:40,383 --> 00:42:42,385 - RHODES RUSHED OFF TO HANDLE IT. - WHEN? 785 00:42:42,429 --> 00:42:43,561 ABOUT AN HOUR AGO. 786 00:42:43,604 --> 00:42:45,258 YOU BLEW IT, LITTLE MAN. 787 00:42:45,301 --> 00:42:46,912 THE BOARD OF DIRECTORS WILL BE GLAD TO KNOW 788 00:42:46,955 --> 00:42:48,914 THAT YOU HANDED THE MONEY TO A GUY INVOLVED IN EXTORTION 789 00:42:48,957 --> 00:42:51,090 AND IN MURDER. 790 00:42:51,133 --> 00:42:52,047 YOU KNOW WHERE RHODES LIVES? 791 00:42:52,091 --> 00:42:53,222 YEAH. 792 00:42:53,266 --> 00:42:55,442 YOU, WAIT IN YOUR OFFICE. 793 00:43:14,069 --> 00:43:16,289 AH, HMM. 794 00:43:22,600 --> 00:43:25,080 WHAT A HERO. 795 00:43:27,082 --> 00:43:29,302 NOBODY'S HOME. 796 00:43:33,480 --> 00:43:34,655 YEAH, TELETYPE? 797 00:43:34,699 --> 00:43:36,570 THIS IS LIEUTENANT KOJAK, MANHATTAN SOUTH. 798 00:43:36,614 --> 00:43:38,398 I WANT TO SEND AN ALARM, YEAH. TWO MALES, WHITE. 799 00:43:38,441 --> 00:43:40,226 MURDER, EXTORTION, ARSON. 800 00:44:19,091 --> 00:44:21,267 - WHY YOU-- - NO, NO, NO, STOP IT. 801 00:44:21,310 --> 00:44:24,183 WE GOT TO LEARN TO LOVE ONE ANOTHER. 802 00:44:26,402 --> 00:44:29,971 - WHAT DO YOU WANT? - KELTON. 803 00:44:30,015 --> 00:44:33,496 KELTON, KELTON, I DON'T KNOW ANYBODY BY THAT NAME. 804 00:44:33,540 --> 00:44:36,325 YEAH, WELL, WE HAVE NO TIME TO PLAY GOOD GUY AND BAD GUY. 805 00:44:36,369 --> 00:44:37,544 YOU FIGURE US ALL FOR THE BAD GUYS, 806 00:44:37,587 --> 00:44:40,068 AND YOU'D BE RIGHT. 807 00:44:40,112 --> 00:44:41,722 HERE WE GO. 808 00:44:41,766 --> 00:44:45,160 OH, IT'S FOR A LOCKER AT A TERMINAL, RIGHT? 809 00:44:45,204 --> 00:44:48,642 - SOMEWHERE, WHICH ONE? - ALL RIGHT. 810 00:44:48,686 --> 00:44:49,948 ALL I DID WAS DELIVER THE MONEY 811 00:44:49,991 --> 00:44:52,254 TO THE BOX LIKE I WAS SUPPOSED TO, 812 00:44:52,298 --> 00:44:53,734 AND THEN I MET HIM WITH THE KEY. 813 00:44:53,778 --> 00:44:55,475 I SEE, AND YOU SPLIT THE CASH, AND YOU KISSED GOOD-BYE. 814 00:44:55,518 --> 00:44:57,433 HOW NICE. YOU'RE LOCKED IN, RHODES. 815 00:44:57,477 --> 00:44:59,261 THERE ARE ALSO TWO MURDERS INVOLVED, 816 00:44:59,305 --> 00:45:01,089 SO IT'S GOOD-BYE, GARBAGE. 817 00:45:01,133 --> 00:45:03,309 LOOK, KOJAK. 818 00:45:03,352 --> 00:45:05,180 YOU LET KELTON GET AWAY ONCE BEFORE. 819 00:45:05,224 --> 00:45:07,139 NOW I'M THE ONLY ONE THAT KNOWS WHERE HE IS. 820 00:45:07,182 --> 00:45:09,010 EITHER WE MAKE A DEAL, 821 00:45:09,054 --> 00:45:11,012 OR YOU TWO GUYS CAN GO PLAY HIDE AND GO SEEK. 822 00:45:11,056 --> 00:45:12,666 YOU MEAN WITH SOMEBODY LIKE YOU I GOT TO WORRY 823 00:45:12,710 --> 00:45:13,667 ABOUT HOLDING UP MY END? 824 00:45:13,711 --> 00:45:15,669 TSK, TSK, BABY. TALK. 825 00:45:15,713 --> 00:45:17,497 CALL THE D.A. 826 00:45:17,540 --> 00:45:20,108 NOW, OR FORGET IT. 827 00:45:22,720 --> 00:45:24,025 ALL RIGHT. 828 00:45:48,833 --> 00:45:50,530 WE GOT THE PLACE COVERED AS WELL AS WE CAN. 829 00:45:50,573 --> 00:45:52,619 THE TERMINAL POLICE ARE IN ON THIS TOO. 830 00:45:52,662 --> 00:45:55,709 START LOOKING. 831 00:45:58,233 --> 00:46:02,411 THAT'S HIM OVER THERE! 832 00:46:02,455 --> 00:46:05,240 WATCH HIM. COME ON. 833 00:46:13,161 --> 00:46:14,206 WATCH OUT. GET OUT OF THE WAY. 834 00:46:14,249 --> 00:46:16,251 GET OUT OF THE WAY. 835 00:46:28,568 --> 00:46:31,223 OH! 836 00:46:35,357 --> 00:46:37,229 YEAH, I GOT ME MY BAG. 837 00:46:37,272 --> 00:46:39,535 AH. 838 00:46:39,579 --> 00:46:40,885 YOU BUM. 839 00:46:40,928 --> 00:46:43,061 HEY, I DIDN'T KNOW HE WAS GONNA KILL ANYBODY. 840 00:46:43,104 --> 00:46:44,497 NOT EVEN THAT GIRL IN THE VILLAGE? 841 00:46:44,540 --> 00:46:46,281 HEY, I SWEAR, I DIDN'T EVEN KNOW WHO SHE WAS. 842 00:46:46,325 --> 00:46:48,240 WHO SHE WAS. 843 00:46:48,283 --> 00:46:49,676 NOBODY. 844 00:46:49,719 --> 00:46:51,852 A KID FROM A SMALL TOWN IN OHIO WHO LIKED PAINTING. 845 00:46:51,896 --> 00:46:54,594 YOU KNOW THE TYPE. ORDINARY. 846 00:46:54,637 --> 00:46:56,770 - GET HIM OUT OF HERE. - COME ON, LET'S GO. 847 00:46:56,814 --> 00:46:59,686 GO ON. GET OUT OF HERE. 848 00:46:59,729 --> 00:47:02,428 I'M GOING BACK THERE, AND I'M GONNA LAY IT INTO PROCTOR. 849 00:47:02,471 --> 00:47:05,257 HE'S NOT GONNA HOLD THAT SALARY CHECK OVER MY HEAD ANYMORE. 850 00:47:05,300 --> 00:47:06,867 I'LL TELL HIM WHAT HE CAN DO WITH IT FIRST. 851 00:47:06,911 --> 00:47:08,434 YEAH, SURE, TOM. WHY DON'T YOU GO ON AHEAD? 852 00:47:08,477 --> 00:47:09,565 I'LL SEE YOU THERE LATER. 853 00:47:09,609 --> 00:47:12,873 YEAH. 854 00:47:12,917 --> 00:47:14,527 YOU THINK HE'S GONNA SAY ALL THAT? 855 00:47:14,570 --> 00:47:17,573 I THINK HE'S GONNA SAY, "GOOD MORNING, MR. PROCTOR. 856 00:47:17,617 --> 00:47:19,880 NICE DAY TODAY, MR. PROCTOR." 857 00:47:19,924 --> 00:47:22,100 LOOK, THERE'S STILL TIME FOR JULIE WINSTON'S WAKE. 858 00:47:22,143 --> 00:47:24,537 ALL THE GUYS ARE GOING OVER. 859 00:47:24,580 --> 00:47:26,191 THANKS. 860 00:47:26,234 --> 00:47:27,366 WE FIGURED EVEN LIEUTENANTS 861 00:47:27,409 --> 00:47:28,497 CAN GO BROKE PAYING FOR FUNERALS, 862 00:47:28,541 --> 00:47:29,759 SO WE ALL CHIPPED IN THE KITTY 863 00:47:29,803 --> 00:47:32,110 AND, YOU KNOW. 864 00:47:32,153 --> 00:47:34,199 YEAH, I KNOW. 865 00:47:34,242 --> 00:47:36,854 IT'S REALLY NICE, WHAT--I MEAN WHAT YOU'RE DOING IS NICE. 866 00:47:38,856 --> 00:47:40,292 IT'S A LOUSY WAY TO SAY I'M SORRY, 867 00:47:40,335 --> 00:47:41,815 BUT IT'S THE ONLY WAY I GOT. 868 00:47:49,910 --> 00:47:53,392 OH, OH, PLEASE LET ME GO. 869 00:47:53,435 --> 00:47:55,307 WELL, WHAT'S THE RUSH? 870 00:47:55,350 --> 00:47:57,657 - ARE YOU POLICE OFFICERS? - YES. 871 00:47:57,700 --> 00:47:59,833 I'M LIEUTENANT KOJAK, AND THIS IS DETECTIVE CROCKER. 872 00:47:59,877 --> 00:48:01,574 OH. 873 00:48:01,617 --> 00:48:03,576 I SIMPLY CAN'T BELIEVE IT. 874 00:48:03,619 --> 00:48:05,665 I'M NOT IN THIS FANTASTIC CITY FOR TWO MINUTES 875 00:48:05,708 --> 00:48:07,362 WHEN A MAN OFFERS TO HELP ME WITH MY BAGS, 876 00:48:07,406 --> 00:48:09,190 AND I SAY "NO, THANKS." 877 00:48:09,234 --> 00:48:11,149 BUT HE KEPT ON INSISTING, 878 00:48:11,192 --> 00:48:13,847 AND SO FINALLY I JUST GRAB MY BAGS AND I RAN. 879 00:48:13,891 --> 00:48:16,197 I MEAN, ARE ALL THE THINGS YOU HEAR ABOUT NEW YORK TRUE? 880 00:48:16,241 --> 00:48:17,416 OH, 881 00:48:17,459 --> 00:48:19,200 ESPECIALLY THE GOOD THINGS. 882 00:48:19,244 --> 00:48:21,507 WELL, WHAT DO I DO? 883 00:48:21,550 --> 00:48:23,509 I MEAN, HE SAID HE'D PICK ME UP TONIGHT, 884 00:48:23,552 --> 00:48:27,513 OR NEW YORK WON'T BE A FUN CITY FOR ME. 885 00:48:27,556 --> 00:48:29,210 UH, WELL, I'LL MEET YOU BACK AT THE OFFICE. 886 00:48:29,254 --> 00:48:31,821 - EXCUSE ME. - WELL, UM... 887 00:48:31,865 --> 00:48:33,214 I MEAN, A PERFECT STRANGER 888 00:48:33,258 --> 00:48:37,740 THREATENS ME AS I'M GETTING OFF THE BUS. 889 00:48:37,784 --> 00:48:39,264 YOU THINK I'M CRAZY, DON'T YOU? 890 00:48:39,307 --> 00:48:41,701 OH, NO. 891 00:48:41,744 --> 00:48:46,706 NOW THE FIRST THING YOU DO, YOU GO TO A DIFFERENT HOTEL, 892 00:48:46,749 --> 00:48:49,578 AND AS WE GO IN THERE, YOU GIVE ME A DESCRIPTION OF THE MAN. 893 00:48:49,622 --> 00:48:53,974 DOES THIS SORT OF THING HAPPEN ALL THE TIME? 894 00:48:54,018 --> 00:48:56,803 HARDLY EVER.